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Showing posts from July, 2013

Stoker: An Insane Family Drama

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CineNiche: Stoker Graphic Design It is good to know that Chan-Wook Park's deviant style was not watered down for American audiences.  J.S.A., Old Boy, Sympathy For Mr. Vengeance, Lady Vengeance, and Thirst are films that deal with revenge, incest, and obsession.  They are filled with complex characters whose motives whether extreme or subtle are always understood through the course of the narrative. In Stoker we are given the privilege of seeing excellent performances from Nicole Kidman, Mia Wasikowska, and Matthew Goode.  The story unfolds slowly which provides a great pay off in the end. After the death of Richard Stoker, the patriarch, his brother Charles moves in with the family.  From the very beginning we sense something is off with uncle Charley.  He comforts the non-too-grief-stricken Evelyn while trying to get close to his niece.  When people who know of his past enter the picture, they mysteriously go missing soon after.  India is very curious of her uncle's r

Cannibal Holocaust: A Study Guide

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CANNIBAL FILMS Cannibal films are a subgenre of the Italian Exploitation films made during the 70's – 80's. Origins: An extension of  Mondo Films  and  Rainforest Adventure Films Mondo Films  were a precursor to the  Faces Of Death  series. They promised exotic locales, gore, and cruelty – not to mention “real death.” Mondo in Italian translates to “world” Rainforest Adventure films   were as their category suggests, action films dealing with heroes in peril in the jungle.  The Naked Prey  (1966) and  The Man From Deep River  AKA  Sacrifice!  (1972) A list of Mondo titles: Mondo Cane (1962), Mondo Bizarro, Mondo Daytona, Mondo Mod, Mondo Infame, Mondo Hollywood, Mondo Trasho, Mondo Weirdo, Mondo Keyhole, Mondo Brutale (German title for Last House On The Left ), Mondo Sex, Mondo Sexualis, Mondo Elvis, Mondo Lugosi, Mondo Teeno, Mondo Rocco (Queer sub-culture documentary), Mondo Topless, Mondo New York, Mondo Di Notte, Mondo Balardo,

The Purge: An Economic Nightmare

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Here is another example of semi-independent cinema.  The Purge was made for 3 million and grossed more than 30 million in its opening weekend which hopefully allows more original concepts through the studio doors. Since the collapse of our economy the film industry has made it a point to only fund remakes, sequels, and adaptations.  They only put up funds on guarantees.  During the last ten years there have been films based on original concepts, but they have been created independently then purchased by studios and in some cases serialized after-the-fact.  Saw is an example of this, the original was funded by the Saturn Award received by its makers, then done to death by Lion's Gate.  Now this was done in the 80's with Michael, Freddy, Chucky, Jason, and Pinhead.  They were icons created by the economic turmoil suffered then.  So, as anything tried and true, the cycle is back.  Instead of creating new icons (except Jigsaw) all of the 80's maniacs have a remake/reboot -