CineNiche

So you've spent 20 minutes on Facebook, a half an hour going through your news feeds, and you are waiting another 20 minutes for a life in Candy Crush (insert any fad game here: Angry Birds, Clay Jam, Temple Run, Song Pop, Words With Friends, Flow Free ect.), and you still don't feel like doing anything useful with your life.  Well here's a new way to waste time: The IMDB Game. At first glance The IMDB Game may seem like its only for cinephiles, but that is not the case.  Sure film geeks may do a bit better, but anyone can play. The Rules: Pick a random number 1-100, or two random numbers 1-100.  Now go to the IMDB Top 250 and see the corresponding film, then go to the Bottom 100 and see what terrible movie you chose.  With the two movie titles link them any way you can.  You can use actors, directors, screenwriters, and crew members. Here's an example:  If you choose 46 you will get Citizen Kane from the top 250 and The Blade Master from the bottom 100.  Let

Cineniche's editors were given the opportunity this year to invade the Telluride Film Festival. It was a week of celebrity sightings, immense beauty, intense hiking, and film premieres. We have close friends who have given up on the modern hustle that city life can be. It has been to their benefit, we have never seen the couple more at rest. They moved out to the tiny village nearly a year ago and now live in the serenity of a mountain paradise. Telluride, CO is a mountain town nestled in the middle of nowhere. It sits at an elevation of 8,750 feet and boasts a population of around 2,500. Originally established as a mining town, it has now become the alternative to Aspen. Seeing a ski resort during the summer is odd because you see all the paths that lay in wait of that first snow. Besides the great slopes, Telluride is also a host to countless festivals. This brings us to the film fest. Each year as film festivals gear up for their time to shine, th

We were not expecting much from David Morlet's Home Sweet Home.   Due to Alexandra Aja's transition to western filmmaking and the overall tonal shift that has occurred in his films since working in Hollywood, we had it ingrained in our minds that the same fate would befall any other director of the French Extremeties.  Morlet's Mutants  is a suspenseful semi-zombie ride.  He uses his skill here to reinvent the home invasion film. Whether it's Ils, The Strangers, Straw Dogs, Funny Games, or even The Purge  all home invasion films begin with getting to know the family.  Most horror dictates that the audience should learn about its victims and gain a connection prior to their destruction.  It is believed that our caring of them and their lives before the disaster will make the impact of their situation even more dire. This is true, nearly all the greatest horror films follow this formula.  No one would feel for Reagon had they not seen her as a normal girl prior to h

CineNiche: Stoker Graphic Design It is good to know that Chan-Wook Park's deviant style was not watered down for American audiences.  J.S.A., Old Boy, Sympathy For Mr. Vengeance, Lady Vengeance, and Thirst are films that deal with revenge, incest, and obsession.  They are filled with complex characters whose motives whether extreme or subtle are always understood through the course of the narrative. In Stoker we are given the privilege of seeing excellent performances from Nicole Kidman, Mia Wasikowska, and Matthew Goode.  The story unfolds slowly which provides a great pay off in the end. After the death of Richard Stoker, the patriarch, his brother Charles moves in with the family.  From the very beginning we sense something is off with uncle Charley.  He comforts the non-too-grief-stricken Evelyn while trying to get close to his niece.  When people who know of his past enter the picture, they mysteriously go missing soon after.  India is very curious of her uncle's r

CANNIBAL FILMS Cannibal films are a subgenre of the Italian Exploitation films made during the 70's – 80's. Origins: An extension of  Mondo Films  and  Rainforest Adventure Films Mondo Films  were a precursor to the  Faces Of Death  series. They promised exotic locales, gore, and cruelty – not to mention “real death.” Mondo in Italian translates to “world” Rainforest Adventure films   were as their category suggests, action films dealing with heroes in peril in the jungle.  The Naked Prey  (1966) and  The Man From Deep River  AKA  Sacrifice!  (1972) A list of Mondo titles: Mondo Cane (1962), Mondo Bizarro, Mondo Daytona, Mondo Mod, Mondo Infame, Mondo Hollywood, Mondo Trasho, Mondo Weirdo, Mondo Keyhole, Mondo Brutale (German title for Last House On The Left ), Mondo Sex, Mondo Sexualis, Mondo Elvis, Mondo Lugosi, Mondo Teeno, Mondo Rocco (Queer sub-culture documentary), Mondo Topless, Mondo New York, Mondo Di Notte, Mondo Balardo,

Here is another example of semi-independent cinema.  The Purge was made for 3 million and grossed more than 30 million in its opening weekend which hopefully allows more original concepts through the studio doors. Since the collapse of our economy the film industry has made it a point to only fund remakes, sequels, and adaptations.  They only put up funds on guarantees.  During the last ten years there have been films based on original concepts, but they have been created independently then purchased by studios and in some cases serialized after-the-fact.  Saw is an example of this, the original was funded by the Saturn Award received by its makers, then done to death by Lion's Gate.  Now this was done in the 80's with Michael, Freddy, Chucky, Jason, and Pinhead.  They were icons created by the economic turmoil suffered then.  So, as anything tried and true, the cycle is back.  Instead of creating new icons (except Jigsaw) all of the 80's maniacs have a remake/reboot -

In screenwriting you are told to show, not tell; whereas in horror cinema the “rules” dictate you tell about the threat and restrict the audience's access to seeing the threat. The Battery succeeds at both. Even though the film debuted at the Telluride Horror Show last October, its recent VOD release correlates well with the upcoming World War Z debacle. In World War Z we will witness millions of dollars at waste in an attempt to find the balance between character and imminent doom, which The Battery does perfectly with a minuscule budget of $6,000. It is a film that instantly reminds you of Night Of The Living Dead , because at every moment you feel it was a labor of love. Like Night we have a story that focuses more on humanity than it does the zombie threat. The nihilism of Night is modernized in The Battery for the millennial generation as an overall sense of apathy in the face of hopelessness. There is no heavy-handed social commentary, nor are there ridic

CineNiche Graphic Design Purchase poster at Zazzle Brian De Palma's Carrie represents a first in menstruation horror.  This packed phrasing simply means Carrie shows the fears of adolescence through the eyes of a sheltered girl on the verge of womanhood.  The opening sequence features Carrie's first period and through extreme repression at home Carrie has no idea what is happening to her.  All the other girls laugh and throw tampons and pads at her.  In her state of frenzy Carrie has smeared her blood everywhere.  Miss Collins, her gym teacher, comforts her while secretly wanting to laugh as well.  In the principle's office she describes the situation to him and when he sees the blood on Miss Collins he recoils.  Carrie's anger and frustration manifests itself through telekinesis. One could argue that her ability develops out of repression. Without a healthy outlet for her feelings or knowledge of her body, everything bottles up inside until her ability for